Star Wars: The Last Jedi (Review)

When we left the movie theater after watching Star Wars: The Last Jedi, I didn’t know what to think. I knew it was a great movie, hell, I knew it was a lot better than The Force Awakens (which I loved), but something was about it was off… The Last Jedi has a lot of political messages and great action scenes, but there was one message that our generation needed and Rian Johnson’s Star Wars refused to send…

[SPOILERS AHEAD]

First of all, The Last Jedi is a lot darker than The Force Awakens. It starts off with a jarringly comic tone, which progressively gets darker as the film develops. Hell, it really feels like a Disney movie during the beginning. I am referring to the scene where Hux and Poe are having a radio conversation and Poe keeps pretending that he doesn’t hear Hux’s stereotypically villainous threats. It was a funny gag that reminded me Disney’s classic villains and their interactions with their heroes, like Captain Hook being played by Peter Pan. Now that I reflect on this though, I feel that (despite being funny) the gag is pretty fucked up, especially because General Hux (the planet destroyer) and the First Order were allegories for Hitler and the Third Reich in The Force Awakens.

The Last Jedi feels political and revolutionary, it sends a lot of important messages that sneak through its plot. For example, Chewbacca gets persuaded not to eat meat after bird creatures surround him right as he is about to chow down on some chicken. They show him puppy dog eyes, to let him know that they are sad because Chewie is about to eat their friend’s cooked carcass. Chewie spooks them off and then feels guilty, and the next scene shows us that these creatures have populated the Millennium Falcon. It is a pretty clear-cut argument for vegetarianism.

Later on, Rose and Finn travel to Canto Bight, a casino planet and things get really political here. Finn comments on the city’s beauty, and Rose tells Finn that this city (and its richness) exist because the gamblers make their fortunes from planets like Rose’s. They destroy their planets and steal the native’s resources, Rose mentions that this is why she and her sister joined the Resistance. Then, while they stare at a race track (think of the Kentucky Derby in Star Wars) Rose urges Finn to look closer, and he sees these creatures being lashed by their jockeys during the race; just like real-life horses are whipped by their jockeys. We see numerous scars on the creatures and later on these animals are freed by Rose and Finn. Here we have another clear cut argument from The Last Jedi, animals should be freed from captivity and they should not be abused.

Another message deals with the military-industrial-complex. DJ steals a vessel from a random gambler in Canto Bight and helps Rose and Finn escape. This vessel belonged to an arms dealer and DJ exposes how there are no “good” guys or “bad” guys. This arms dealer sold weapons to both the First Order and the Resistance, good and bad guys. I guess you could call this an anti-capitalist message, but conservatives and liberals both agree that selling weapons is a dirty business.

Finally, Kylo “reveals” that Rey’s parents were good-for-nothing drug addicts, who sold her into slavery and are now dead in a ditch. This last scene essentially sends a message that resonates with many people, we can become more than our parents. It’s the same message Yoda tells Luke, “we are what they grow beyond.” Meaning that each successive generation of children and students should become better than us, otherwise, what is the point? This is The Last Jedi’s metanarrative, the death and decay of the old ways feeds the new. Therefore Kylo kills Snoke and Luke dies without training Rey. Although, we could also argue that the film’s real metanarrative is that as long as people are oppressed, there will be a resistance; a connecting thread that runs throughout all Star Wars films throughout the series.

Speaking of different topics, everything the characters discuss and everything the camera focuses on plays an important part in plot. It adhered to the principle of Chekhov’s gun. The film also keeps you on the edge of your seat, you don’t know what’s going to happen next. The Last Jedi has one of the best lightsaber fight scenes in the history of Star Wars. It might even be better than Obi-Wan and Qui-Gon’s duel against Darth Maul. It was seriously impressive and after watching it, any reservations I had about the film’s Disney tone went straight out of the window. I felt like I was having an orgasm. Although, to be fair, I was expecting more action from the film, but that was because I had unfair expectations. I was expecting The Empire Strikes Back, but what we got was different, which is a good thing.

Now, making a movie that appeals to everyone has always been difficult. Someone, from some community, will always find something “wrong” with your work. Keep in mind that I am speaking as a fan, someone who agrees and believes that Star Wars is “our generation’s religion.” Still, I think The Last Jedi played it too safe. These are the things that left me puzzled when I left the theater:

  • How did Leia manage to save her own life by using the Force? Sure, she is force-sensitive, but actually managing to use the Force to pull herself into safety was pretty outrageous, and it was definitely a WTF moment for the audience. I feel like Rey already broke this barrier. She showed how people without any force training could basically become proficient without a reason, but yeah. This made me feel like Disney took too many liberties with Star Wars. They are stretching what can be acceptable to fans. And yes, I know that according to canon, Leia received some Jedi training, but really, this was never shown or discussed during any of the films, so it is still a major WTF moment.

 

  • Not to be overly PC, but as a Puerto Rican Star Wars fan, I am disappointed that our heroes find Benicio del Toro’s character, DJ, in a prison cell. Mostly though, I am disappointed by the fact that he also betrays the Resistance and causes the deaths of hundreds of people. I know Benicio del Toro is type-cast as a criminal in most of his roles, but I was disappointed to see him, a Puerto Rican actor, be typecast as a sleazebag in outer space…

 

  • Second, after implying that Finn and Rey would end up together in the first film, Rian Johnson conveniently created another non-white character to become Finn’s love interest. Then, Rey and Poe instantly develop an attraction to each other. Now, we can argue that Poe is Latino, or Hispanic, that their relationship is still interracial, but Poe is light-skinned, so it does not really matter. It is not controversial or groundbreaking.

I feel that Star Wars failed to be as progressive as it originally aimed to be (or as progressive as it should be). Fans felt that Rey and Finn would end up together, and then we get this Harry Potter-esque romantic twist, which not only betrays fans, but also betrays people who do not believe in outdated and foolish ideas about racial purity. I honestly feel that this change was made to appease the race purists from America and Britain, people who are afraid that their race will be “wiped out” to avoid any possible controversy. For me, this is both hilarious and sad. It was something I could not talk to my friends about, because I didn’t know how to frame my feelings into a joke, which tends to be the healthiest way to communicate controversial ideas like this.

To me, no matter how “progressive” or inspiring this film might be, it truly did not become as revolutionary as it should have been. It wasn’t the film we needed right now. The Last Jedi’s messages about rebellion, colonialism, corporatism, war profiteering and animal cruelty are all great, but they are also old messages that films have been delivering to us for decades. None of these things are current, pressing or new. They were not the message that a racially-divided America needed right now. We needed to see Finn with Rey and Rey with Finn. Some people might call the idea campy or preachy, but really, I don’t think that it’s asking for much. Especially after The Force Awakens was setting us up for this. Besides, it’s not like we’re ever going to see a Star Wars film with a non-white protagonist as powerful and morally righteous as the others (I’m looking at you Cassian). Now, that would really be revolutionary, but I guess that entertainment today still has to cater to the majority, while feeding Easter eggs to minorities.

In my opinion, The Last Jedi did not show us anything new, so, I guess that’s why I left the theaters confused and slightly disappointed, even though I loved the film very much. Times have changed. For a film saga built on resistance and revolution as its central pillar, I feel disappointed that The Last Jedi took a safe (or conservative) stance on interracial relationships. I must have been foolish and innocent to believe that a relationship between a black male and a white woman in a loving relationship could ever be part of global culture in 2017. 2015 was a different time. I wonder what its message is going to be in 2019. I’ll be looking forward to it. But I’m not expecting any revolutionary this time around, at least not in the film’s message. Maybe Disney will finally release a great movie with a black male prince and a white princess. But if this film has taught me anything, it’s that failure is our greatest teacher. Hope has failed me a lot since 2016, so I guess it’s time to learn.

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